Very much in tune with this Wilsonian logic of Igbo mass slaughter, Benjamin Adekunle, a fiendish Nigeria genocidist commander in south Biafra told a news conference in August 1968, attended mostly by foreign journalists: “I want to prevent even one I[g]bo having even one piece to eat before their capitulation. We shoot at everything that moves, and when our forces march into the centre of I[g]bo territory, we shoot at everything, even at things that don’t move” (The Economist, London, 24 August 1968). The principal language used in the prosecution of the genocide was Hausa. Appropriately, the words of the ghoulish anthem of the genocide, published and broadcast on Kaduna radio and television throughout the duration of the crime, are in Hausa:
As the evidence overwhelmingly shows, Britain is the principal agency in the perpetration of the Igbo genocide. Nowhere else in Africa nor indeed the Southern World, during the 1950s-1970s, does any of the seemingly departing European occupying-power in a conquered country effectuate the crime of genocide of a constituent people as a means of safeguarding its strategic interests subsequently as Britain’s sordid record in Nigeria shows. This genocide continues unabated since January 1970 (phase-IV of genocide) with tens of thousands of Igbo murdered across Nigeria but especially in the north region including those massacred by the Boko Haram terrorists and their Fulani militia cousin in the past seven years. No other peoples in Africa have suffered such an extensive and gruesome genocide and incalculable impoverishment in a century as the Igbo. Britain and its client genocide-prosecuting state Nigeria will surely account for this crime against humanity as both states are fully aware, being signatories to the relevant international treaties, that there are no statutes of limitation in international law in the pursuit, apprehension, prosecution and sentencing of individuals and institutions involved in committing genocide. Genocide is a crime against humanity.
These data variously include extensive coverage of news and analyses of varying features of the genocide between May 1966 and January 1970 (phases I-III of genocide) as well as still photographs and reels and reels of film footage of the devastating impact of the genocidist’s “starvation weapon” attack on Igbo children and older people, the genocidist air force’s carpet bombings of Igbo population centres (especially refugee establishments, churches, shrines, schools, hospitals, markets, homes, farmlands and playgrounds) and the haunting photographs and associated material that capture the sheer savagery of the slaughter of 100,000 Igbo in north Nigeria towns and villages and elsewhere in parts of west Nigeria (especially Lagos and suburbs, Ibadan, Abeokuta, Oyo, Benin) during phase-I of the genocide in May to October 1966. A stream of these archival references has flowed steadily onto the youtube website as well as other internet outlets and much more material on the genocide will be available online in the months and years ahead.
(George Russell Sextet here plays “Nardis”, a composition by Miles Davis [personnel: Russell, piano; Don Ellis, trumpet; Dave Baker, trombone; Eric Dolphy, bass clarinet; Steve Swallow, bass; Joe Hunt, drums; recorded: Riverside Records, New York, 8 May 1961])