(Born 22 June 1963, Asaba, Biafra: onye amuma ndiigbo)FOOTBALLER, sports administrator, journalist, freedom activist, onye amuma ndiigbo, the courageous 4-year-old who, at at the third month of phase-III of the Igbo genocide, survives the Saturday 7 October 1967 mass execution of 700 Igbo boys and men, by a genocidist Nigeria military brigade commanded by Murtala Mohammed and Ibrahim Haruna and Ibrahim Taiwo in Asaba, twin Oshimili River port, during which most of his family and other relatives are murdered; author of Blood on the Niger (TriAtlantic Books, 2006), compulsory reference in the study of the Igbo genocide, carried out by Nigeria and strategic ally Britain, which meticulously catalogues the savagery and aftermath of the Asaba execution.
I cannot tell this story without tears in my eyes … They [genocidist brigade] ordered everyone to come out to the [Asaba] town square … They were honest with us. They told us they were going to kill us. They took us to the mounted machine guns. Then it dawned on us that it was true. I was standing with my older brother at the edge of the crowd. He was holding my hand. He had always taken care of me. We shared the same bed. He was the first to be dragged away by the soldiers. He let go of my hand and pushed me into the crowd. He was shot in the back. I could see the blood gushing from his back. He was the first victim of the massacre. Then all hell let loose. I lost count of time. To this day, I live with the smell of the blood of my brethren that night. Even the heavens wept for the victims of this holocaust. Finally the bullets stopped (Udoka: 2014).
The world could have stopped this genocide; the world should have stopped this genocide. The world can stop this ongoing genocide. To understand the politics of the Igbo genocide and the politics of the “post”-Igbo genocide is to have an invaluable insight into the salient features and constitutive indices of politics across Africa in the past 50 years.
(John Coltrane Quartet, “Alabama” [personnel: Coltrane, tenor saxophone, McCoy Tyner, piano; Garrison, bass; Elvin Jones, drums; recorded: Jazz Casual [Ralph Gleason], National Educational Television, KQED Studios, San Francisco, US, 1 November 1963])